KP - Self - kbp @ tea ceremonyPublisher’s Notes: This Featured Artist post is near and dear to my heart for a number of reasons. Karen Pardee of Serendipity Saori Studio is a fiber hero of mine AND she lives in a part of the United States that is both beautiful as well as an area where I have roots and am connected. I know that you will enjoy reading about Karen and what led her to study and embrace Saori. It is with great pleasure that I present Karen’s interview to you this week.


Spin Artiste (SA) I know from reading your website that you have a long history of making things by hand. What led you to enter into the world of Saori and to commit yourself to it?

Karen Pardee (KP): Second chances don’t happen very often. An illness provided the wake-up call I needed to do a lot of soul searching and realize somewhere along the way I took a fork in the road and wandered down a dead-end path. Life is too short; I needed to be true to myself and re-create the life I wanted to live.

SA: Tell us about your progression as an artist from the beginning of your Saori training till now.

KP: My degree is in fiber arts; I wove in school, but it was mostly placemats, table runners, and hand towels. Then with my illness, I lost my short-term memory and couldn’t follow a pattern. It made me so sad to look at an empty loom that I had my husband pack it up and put it in storage. I thought I would never be able to weave again.

KP - Weaving - cherry blossom weave 2

On an internet search in early 2011, I came across some Saori weaving. My eyes popped out of my head; I’d never seen anything like it! What I found even more exciting was that someone was wearing their weaving. I had to find out more: What was Saori? How could I find out more about it? Where could take a class? How far was the nearest studio? Were there other Saori weavers in my area? After more searching, I found Mihoko Wakabayashi at Saori Worcester and arranged to take an intensive class with her. Those were the longest six weeks ever (except maybe my pregnancies), so I asked Mihoko what I could do in the meantime. She suggested I purchase the Saori book and read about the founder, Misao Jo and the Saori philosophy. When the time finally came for my class, I was panting! I walked into her studio and knew Saori was what I wanted to do. I became an authorized Saori studio and equipment dealer in October 2011.

KP - Garment - JBS--Just Black Series - 80

For me, Saori is like a discipline you practice. The longer you weave, the more you learn about yourself, the more you are able to let go and free yourself from pre-conceived notions and ideas about how things are supposed to be. I’m just at the beginning of my Saori journey, and it’s always exciting and amazing to see where it takes me.

KP - Grant Project Banner Installation - 08

SA: What is the biggest misconception people have about Saori weaving?

KP: The biggest misconception about Saori weaving may be that Saori is the same as freestyle weaving. But that doesn’t really give respect to Misao Jo, the founder of Saori, and the philosophy she developed of weaving as a way to discover your true self.

“It is vital to develop a free mind and the ability to accommodate the unconventional as the first step. It’s true that we can achieve freedom of mind only when we succeed in breaking from ‘common sense’. This is the foundation of Saori weaving, but also underlies many aspects of life.”

The foundation of Saori weaving is not to do the same thing as everyone else, to be courageous enough to think outside the box, to break from common sense, to liberate ourselves from conventional concepts. We can do this through Saori weaving, and the longer you practice, the more this philosophy spills over into other areas of your life.

KP - Weaving - a Court and Spark

SA: What do you see as the future of Saori weaving in the United States?

KP: It’s only going to grow and grow!

There is an increasing older population. Men and women who have raised their families, not yet retired, or recently retired looking for a rewarding and meaningful creative activity.

Several of my Saori sister studios are offering programs for people with disabilities. Saori weaving is a wonderful tool for self-expression and self-discovering, especially for those with physical and mental disabilities, especially autism.

In the past a shaky economy marked an upsurge in making, whether it be knitting, sewing, or weaving. A recession provides an opportunity for inward looking, a reassessment of values, and what’s important. When people spend more and more time online in a virtual world, more and more people enjoy making things, instead of just being consumers of things.

KP - Garment - Down by the Sea Mobius 2

And there is a spiritual/meditative/healing aspect of weaving. Weaving provides a way to connect with the here and now, and improves stress levels similar to mindfulness. Because of the repetitive back and forth motion of weaving, it becomes very calming. You forget all the things you have to do, and are brought into what’s happening right now, at the loom in front of you. The rhythm calms the heart rate and breathing, creates a feeling of stability, and also an inner quiet.

KP - Weaving - down by the sea

SA: Tell us about your recent experience of visiting Japan?

KP: Where to begin?!!! My Saori mentor, Mihoko, offers a tour every other year, and I was fortunate enough to join her tour in May. We started out in Osaka, at the Saori headquarters, Saori no Mori. It was a dream come true to meet Misao Jo, as she turned 102 in April! I sat with her as she had her morning cup of hot cocoa. I don’t know if she understands English, but I was moved to tell her how grateful I was to her and how much Saori has changed my life.

KP - Self - misao w_kbp

We left Osaka, and travelled by bullet train to Kyoto, Yufuin, Kakagawa, Hiroshima, Himeji, and back to Osaka, visiting several Saori studios along the way. At some of the studios, we participated in dyeing workshops, which were lots of fun. The Japanese people are so gracious, kind, and generous.

Some of my favorite moments were walking through the Torii Gates (aka the Walk of Prayers), which are thousands of red gates winding up Mt. Inari in Kyoto; attending a traditional tea ceremony, visiting temples with beautiful Japanese gardens, sipping tea at the base of Mt. Yufu overlooking rice paddy fields; walking through Mihoko’s old neighborhood and being welcomed into the home of the family that lived across the street from her, staying in a traditional ryokan (Japanese inn); and going to a Japanese bath house.

Mihoko was an amazing guide. We were able to experience Japan, not just looking out through a window on a bus or train; but to interact and engage with the people. I’m already planning my next visit in 2017!

SA: Tell us about your own project planning process? How much intention do you set at the beginning of a project?

KP: In the early days of my Saori weaving, I would put a warp on with the idea I would make a particular item, say a scarf or cloth for a vest, etc. Sometimes part way through the weaving, the cloth would “tell” me that it didn’t want to be a scarf or vest. You have to be open to listening. It will tell you what it wants to be.

KP - Garment - hack 4

After practicing Saori weaving for awhile, I began to just put a warp on and weave. It’s not about the “thing;” it’s about the journey. As Misao says,

“In Saori Weaving we consider weaving in the following way: it is just like a painter painting a picture or a poet writing a poem. Saori Weavers weave in search of our true selves which are hidden. Thus, we make human beings instead of making articles. Anyone can become an original individual who often varies deeply inside from others. This is our ultimate goal.” –Self-Innovation Through Free Weaving

SA: Do you enjoy making garments from your finished pieces? If so, what kinds of garments?

KP: I love making garments, and that’s what attracted me to Saori from the beginning. My favorites are vests; they’re so versatile and can be worn in every season. I don’t like clothes that constrict and limit movement, so vests seem to work for me.

KP - Garment - Wine merchant's Daughter version 2

When I attended the Saori Post-Conference in Atlanta last summer, Kenzo Jo (Misao Jo’s third son) challenged all the attendees to wear their weaving. When I wear my handwoven cloth, it’s like I’m wearing a Super Hero cape an invisible force field around me. One of my favorite Misao quotes is,

“…each woven cloth has its own life. Each weaving can capture the present moment that we never can take back. A weaving can capture the thoughts and feelings that we have at that time. We can even wear the woven fabric. This is the most luxurious activ

ity for anyone…” Self-Innovation Through Free Weaving

SA: Back in February, you wrote a blog post about weaving with paper and I have had my own experiences in learning to work with shifu. Are you still experimenting with paper in your weaving?

KP: I started spinning and weaving with recycled teabags several years ago, but picked it up again this past winter after seeing Kenzo spin on the Saori built-in bobbin winder at the Saori Post-Conference. This worked much better for me than trying to spin teabags at the wheel or with a drop spindle. In fact, I got quite obsessed with paper spinning on the Saori bobbin winder.

KP - Weaving - Tea Bag Shifu with Loops

When I ran out of teabags, I looked around the room for something else to spin, until my eyes fell on the Yellow Pages.

KP - Weaving - yellow pages day 2 - 09

Then I moved on to spin and weave with Hershey Kisses tissue; which led to writing messages, over drawing with markers, spinning and weaving with tissue paper.

KP - hershey kisses collage

I brought back some lovely papers from Japan, and I’m sure spinning and weaving with paper will be something I come back to again and again, I enjoy it so much. (If you’d like to read about my paper spinning adventures, you can here and here

SA: Do you use handspun yarns in your work? Are you a spinner?

KP: I have a small flock of Shetland sheep, and consider myself a novice spinner. I had a strict instructor and became a very intimidated spinner. Every time I sat down at my wheel, I would tighten up and break out in a sweat! I did eventually learn to spin a very fine yarn to her satisfaction. One of my goals is to Saorize my spinning, to let go of preconceived ideas about what is yarn, and have fun again.

KP - Other - Georgie copy

SA: I noticed that you begin your blog posts with a quote. Tell us about why and how you chose the quotes.

KP: Quotes are so inspiring. I’ve been collecting quotes since I was a kid and have notebooks full. On my blog, they’re good jumping off points for starting the conversation.

KP - Weaving - Route 17

SA: What is on your fiber “bucket list”?

KP: On the spinning fiber bucket list:

  • learn to spin cotton on the wheel. I’ve been playing with a handmade bead support spindle and also with a tahkli my daughter gifted me. But I like to be learn to spin cotton on my wheel.


  • inspired by a recent issue of Ply Magazine, I would love a spin with some Rambouillet.


  • continue playing with coils/supercoils, thick and thin, corespun, and art yarns from my own batts and rolags I blend on my hand cards.


  • continue my Flax Project I started five years ago. Each year I’ve planted a small plot of flax, with the idea being to process, spin and weave a garment I could wear.


On the weaving fiber bucket list:

    • to use all the above handspun yarns in my Saori weaving! Saori is a great way to bust the stash and use up all those little bits (and big bits, too!)

KP - Garment - organic vest collage

SA: If someone wants to become proficient in Saori, what is the path you recommend?

KP: Find an authorized studio and take a class. If you don’t live near a studio, many of them offer a home stay option for out-of-town students at very reasonable rates (including me)! There are so many opportunities to read and learn new techniques online, but nothing can beat an actual studio visit. (The global directory of authorized Saori studios can be found here:

KP - Garment - wine merchant's  daughter

SA: If you were a paint color, which one would you be?

KP: dusty rose, noun: a variable color averaging a light grayish purplish red

KP - Weaving - cherry blossom weave

SA: Thank you so very much, Karen! I can see your beautiful spirit in your amazing weavings. And, with this post, I’m kind of wrapping things up here with a “bang” I feel. I mentioned a couple of posts ago that pretty soon I would be posting only at instead of trying to keep up with two fiber lives. I have loved writing this blog for over four years! We will be continuing in the tradition of this content as well as mixing in our other Fibery Goodness style content. We have a really fun challenge coming up in the fall that I’m sworn to secrecy on at the moment, but I promise you, it is in the spirit of the Secret Stash and Battle of the Bobbins only better!! Looking forward to your participation and support over at!

3 thoughts on “Spin Artiste’s Featured Artist: Karen Pardee of Serendipity Saori Studio

  • August 24, 2015 at 1:26 pm

    I loved reading about Karen’s journey. I m interested in buying a saori loom, I just need to find a space for it.
    Thank you Karen.

  • August 29, 2015 at 6:33 pm

    Thank you so much Karen, I am an experienced weaver but am fascinated with the Saori weaving technique and am taking a class in September. This makes me even more excited. Great article!

  • September 5, 2015 at 2:49 pm

    What an interesting interview! Being on my own Saori journey, I find it fascinating to hear about others’. I met Karen at the conference last summer, and was struck by her gentle manner.


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